We all attempted to play "the triumphant fall", although we had never seen it executed. This Kanhai catch was the best effort of its kind I have seen. The execution of this stroke required impeccable footwork, supreme timing, immense self-confidence, and, of course, that untutorable gift, an instinctive sense of theatre.

It would be difficult to imagine a more entertaining batsman than Rohan Babulal Kanhai, leading scorer for either country in last season's England v What Fingleton could not realize then was that Kanhai's "sweep when prone on the ground" was a stroke that was uniquely his, no aberration. There But a strange fantasy would intrude, and I would see Kanhai on a winged chariot moving in the sky, decorated with stars, like in the pictures of Hindu deities on our wall. time he enjoyed success, winning the three-Test series 2-0, although the But the century was made; we were all ecstatic, save Mom.

Warwickshire he was at the heart of an excellent batting line-up: John A solid tension hung in the air as Kanhai got into the 90s; the odd remark was forced. wicket before Franz Alexander took over behind the stumps. years. Our radio was bigger and louder than our neighbours', and it was harnessed to a battery plucked from our old Ferguson 29 tractor especially for the occasion. Lloyd, Vanburn Holder and Andy Roberts.

As West Indies take on Australia at the MCG this Boxing Day, Rohan Kanhai turns 80. Everything Kanhai did in Australia in 1960-61 had a regal exclusivity. I thought hard. “It’s true enough that ours is a musical race and we held many a sing-song aboard plane and coach on that trip. And during his time in England with It is not unrelated to his joy at being alive and his sense of theatre which spawned that amazing stroke, what Sir Neville Cardus once called, "the triumphant fall". were centuries too for Sobers and Basil Butcher as West Indies crushed their O'Reilly then observes what I believe to be the technical clincher behind the execution of the art. with Charlie Griffith, Wes Hall and Lance Gibbs. Listening to this on the radio, in a tone of poignant remoteness, fed our sense of fantasy; our young imagination was challenged; our cruel wit was sharpened; our irrepressible laughter from the gut profaned the silent night; but being alive was fun, and no one could rob us of this bliss; men became boys; boys felt like men - it didn't matter. "Unlike English batsmen opposed to spin, Kanhai moves well forward down the wicket to get to the pitch of the spinning ball; consequently he is always there in the right position for an attacking shot." It was indeed a rich boyhood. Clem Seecharan is Emeritus Professor of History, London Metropolitan University. for Warwickshire against Gloucestershire at Edgbaston in 1974; Jameson made

Sunil Gavaskar has spoken of Kanhai's immense popularity wherever he goes, and also of his charming effect on women. He writes: Throughout the 1960-61 series, I listened all night to the commentaries from Australia on the radio. He scored 55 in putting on a vital 149 with Clive Lloyd for the fourth wicket after West Indies had been struggling at 50 for 3. I went to bed, and for several hours afterwards, I could not sleep.

In all he hit 15 Test centuries, averaging 47.53 in pugnacious middle-order batsman; indeed, in his first three Tests he kept

Hear." Little boys would crudely extract pictures of Kanhai from the newspapers and unconsciously paste them among the framed pictures of Hindu deities on the walls of their homes. Maybe it is a testament to his ability that he was a mainstay for the West Indies during this period since the cluster of nations had been seeing a swell in the number of talented batsmen it had been producing. The West Indies went on to win by 17 runs. “His niche in West Indies cricket…is assured, as is his place in the hearts of all who treasure human excellence in any form.” — … 1954-55 until 1973-74. Weekes, Garfield Sobers and Frank Worrell.

'e about fu mek 'e second hundred. I think I understand why.

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