These iconic and popular designs have been updated with the latest lighting industry technologies. Swarovski Crystal Palace began in 2002 as an experimental platform to reinterpret the rich traditions of the chandelier, and to enable design luminaries to explore the boundaries of lighting design through the emotive medium of cut crystal. Full-size elm trees growing in the park were enclosed within the central exhibition hall near the 27-foot (8 m) tall Crystal Fountain. The Crystal Palace has survived all this time and still serves up booze from a towering back bar with mirrors. Because normal cast glass is brittle and has low tensile strength, there was a risk that the weight of any excess water build-up on the roof might have caused panes to shatter, showering shards of glass onto the patrons, ruining the valuable exhibits beneath, and weakening the structure. The traditional Tea Ceremony is performed by the Bride and Groom and involves the couple offering cups of tea to their respective family members. In June 1961, the new Crystal Palace Concert Bowl opened with a performance by the London Symphony Orchestra conducted by Antal Dorati, resuming a musical tradition at the Palace that stretched back more than a century to the great Handel Festivals and pre-war Brass Band Championships.

A huge open gallery ran along the main axis, with wings extending down either side. The street address of the Crystal Palace was Sydenham (SE26) after 1917, but the actual building and parklands were in Penge. The south tower to the right of the Crystal Palace entrance was taken down shortly after the fire, as the damage sustained had undermined its integrity and it presented a major risk to houses nearby.
The floor too had a dual function: the gaps between the boards acted as a grating that allowed dust and small pieces of refuse to fall or be swept through them onto the ground beneath, where it was collected daily by a team of cleaning boys. These were raised into position as eight pairs, and all were fixed into place within a week. Both the flat-profile sections and the arched transept roof were constructed using the key element of Paxton's design: his patented ridge-and-furrow roofing system, which had first seen use at Chatsworth. Paxton also designed machines to sweep the floors at the end of each day, but in practice, it was found that the trailing skirts of the female visitors did the job perfectly.Thanks to the considerable economies of scale Paxton was able to exploit, the manufacture and assembly of the building parts was exceedingly quick and cheap. An executive Building Committee was quickly formed to oversee the design and construction of the exhibition building, comprising accomplished engineers Within three weeks, the committee had received some 245 entries, including 38 international submissions from Australia, the Netherlands, Belgium, Hanover, Switzerland, Brunswick, Hamburg and France. The former Crystal Cathedral, ... A folk art trash palace in the shadow of Hearst Castle. 1851 medal The Crystal Palace in London by Allen & Moore, reverse The project was engineered by Sir In the first week, the prices were £1; they were then reduced to five shillings for the next three weeks, a price which still effectively limited entrance to middle-class and aristocratic visitors. More than 5,000 Firstly stakes were driven into the ground to roughly mark out the positions for the cast iron columns; these points were then set precisely by As soon as two adjacent columns had been erected, a girder was hoisted into place between them and bolted onto the connectors. Like the Chatsworth Lily House (but unlike its later incarnation at Sydenham) most of the roof of the original Hyde Park structure had a horizontal profile, so heavy rain posed a potentially serious safety hazard.

The columns were erected in opposite pairs, then two more girders were connected to form a self-supporting square—this was the basic frame of each module. Rain ran off the angled glass roof panes into U-shaped cast-iron channels which ran the length of each roof section at the bottom of the 'furrow'. In the event, Paxton's design fulfilled and surpassed all the requirements, and it proved to be vastly faster and cheaper to build than any other form of building of a comparable size. The Crystal Palace was a cast iron and plate glass structure originally built in Hyde Park, London, to house the Great Exhibition of 1851.

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